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30,89 €
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Structuring Time
Structuring Time
27,80
30,89 €
  • We will send in 10–14 business days.
A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to…
30.89
  • Publisher:
  • Year: 2004
  • Pages: 140
  • ISBN-10: 0809511177
  • ISBN-13: 9780809511174
  • Format: 16.5 x 22.9 x 0.9 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Structuring Time (e-book) (used book) | Michael Betancourt | bookbook.eu

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A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this understanding is equally concerned with the very slow, or apparently immobile.

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  • Author: Michael Betancourt
  • Publisher:
  • Year: 2004
  • Pages: 140
  • ISBN-10: 0809511177
  • ISBN-13: 9780809511174
  • Format: 16.5 x 22.9 x 0.9 cm, minkšti viršeliai
  • Language: English English

A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this understanding is equally concerned with the very slow, or apparently immobile.

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