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Structuring Time (Second Edition)
Structuring Time (Second Edition)
36,89
40,99 €
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A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to…
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Structuring Time (Second Edition) (e-book) (used book) | bookbook.eu

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A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this understanding is equally concerned with the very slow, or apparently immobile. (Revised and Expanded Second Edition.)

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  • Author: Michael Betancourt
  • Publisher:
  • ISBN-10: 1434405117
  • ISBN-13: 9781434405111
  • Format: 17.8 x 25.4 x 1.1 cm, minkšti viršeliai
  • Language: English English

A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this understanding is equally concerned with the very slow, or apparently immobile. (Revised and Expanded Second Edition.)

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