- We will send in 10–14 business days.
/images/books/14884788/9789048558292.jpg)
- Author: Jennifer Vaught
- Publisher: Amsterdam University Press
- ISBN-10: 9048558298
- ISBN-13: 9789048558292
- Format: 15.8 x 23.8 x 1.8 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire. Their appropriations, which were widely influential on communities of readers, writers, and intertextual networks from 1590-1660, left an abiding impression of Spenser as a biting satirist. Spenser's Afterlife from Shakespeare to Milton: The Faerie Queene as Intertextual Environment is the first study to combine the reception history of The Faerie Queene with ecocriticism, animal studies, and posthumanist tenets of vital materialism and the power of things. This poem functions as a powerful, nonhuman agent that transforms how readers respond to their environments. The Faerie Queene and its afterlives move readers to perceive flaws in political, social, and religious figureheads and institutions to envision better ones.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 22d.03:31:01
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Jennifer Vaught
- Publisher: Amsterdam University Press
- ISBN-10: 9048558298
- ISBN-13: 9789048558292
- Format: 15.8 x 23.8 x 1.8 cm, kieti viršeliai
- Language: English English
This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire. Their appropriations, which were widely influential on communities of readers, writers, and intertextual networks from 1590-1660, left an abiding impression of Spenser as a biting satirist. Spenser's Afterlife from Shakespeare to Milton: The Faerie Queene as Intertextual Environment is the first study to combine the reception history of The Faerie Queene with ecocriticism, animal studies, and posthumanist tenets of vital materialism and the power of things. This poem functions as a powerful, nonhuman agent that transforms how readers respond to their environments. The Faerie Queene and its afterlives move readers to perceive flaws in political, social, and religious figureheads and institutions to envision better ones.
Reviews