- We will send in 10–14 business days.
/images/books/2978472/9780253046307.jpg)
- Author: Steven Marsh
- Publisher: Indiana University Press
- ISBN-10: 0253046300
- ISBN-13: 9780253046307
- Format: 15.2 x 22.9 x 1.9 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s--with the work of Luis Buñuel and Salvador DalÃ, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo--through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 22d.02:58:05
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Steven Marsh
- Publisher: Indiana University Press
- ISBN-10: 0253046300
- ISBN-13: 9780253046307
- Format: 15.2 x 22.9 x 1.9 cm, kieti viršeliai
- Language: English English
Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s--with the work of Luis Buñuel and Salvador DalÃ, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo--through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.
Reviews