328,31 €
364,79 €
-10% with code: EXTRA
Sounds of the Pandemic
Sounds of the Pandemic
328,31
364,79 €
  • We will send in 10–14 business days.
Sounds of the Pandemic offers one of the first critical analyses of the changes in sonic environments, artistic practice, and listening behaviour caused by the Coronavirus outbreak. This multifaceted collection provides a detailed picture of a wide array of phenomena related to sound and music, including soundscapes, music production, music performance, and mediatisation processes in the context of COVID-19. It represents a first step to understanding how the pandemic and its by-products affec…
  • Publisher:
  • ISBN-10: 1032060247
  • ISBN-13: 9781032060248
  • Format: 17.8 x 25.4 x 1.9 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

Sounds of the Pandemic (e-book) (used book) | bookbook.eu

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Sounds of the Pandemic offers one of the first critical analyses of the changes in sonic environments, artistic practice, and listening behaviour caused by the Coronavirus outbreak.

This multifaceted collection provides a detailed picture of a wide array of phenomena related to sound and music, including soundscapes, music production, music performance, and mediatisation processes in the context of COVID-19. It represents a first step to understanding how the pandemic and its by-products affected sound domains in terms of experiences and practices, representations, collective imaginaries, and socio-political manipulations.

This book is essential reading for students, researchers, and practitioners working in the realms of music production and performance, musicology and ethnomusicology, sound studies, and media and cultural studies.

EXTRA 10 % discount with code: EXTRA

328,31
364,79 €
We will send in 10–14 business days.

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  • Publisher:
  • ISBN-10: 1032060247
  • ISBN-13: 9781032060248
  • Format: 17.8 x 25.4 x 1.9 cm, hardcover
  • Language: English English

Sounds of the Pandemic offers one of the first critical analyses of the changes in sonic environments, artistic practice, and listening behaviour caused by the Coronavirus outbreak.

This multifaceted collection provides a detailed picture of a wide array of phenomena related to sound and music, including soundscapes, music production, music performance, and mediatisation processes in the context of COVID-19. It represents a first step to understanding how the pandemic and its by-products affected sound domains in terms of experiences and practices, representations, collective imaginaries, and socio-political manipulations.

This book is essential reading for students, researchers, and practitioners working in the realms of music production and performance, musicology and ethnomusicology, sound studies, and media and cultural studies.

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