81,98 €
91,09 €
-10% with code: EXTRA
Somewhere In Red Gap
Somewhere In Red Gap
81,98
91,09 €
  • We will send in 10–14 business days.
The walls of the big living-room in the Arrowhead ranch house are tastefully enlivened here and there with artistic spoils of the owner, Mrs. Lysander John Pettengill. There are family portraits in crayon, photo-engravings of noble beasts clipped from the Breeder's Gazette, an etched cathedral or two, a stuffed and varnished trout of such size that no one would otherwise have believed in it, a print in three colours of a St. Bernard dog with a marked facial resemblance to the late William E. Gl…
91.09
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Somewhere In Red Gap (e-book) (used book) | bookbook.eu

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The walls of the big living-room in the Arrowhead ranch house are tastefully enlivened here and there with artistic spoils of the owner, Mrs. Lysander John Pettengill. There are family portraits in crayon, photo-engravings of noble beasts clipped from the Breeder's Gazette, an etched cathedral or two, a stuffed and varnished trout of such size that no one would otherwise have believed in it, a print in three colours of a St. Bernard dog with a marked facial resemblance to the late William E. Gladstone, and a triumph of architectural perspective revealing two sides of the Pettengill block, corner of Fourth and Main streets, Red Gap, made vivacious by a bearded fop on horseback who doffs his silk hat to a couple of overdressed ladies with parasols in a passing victoria. And there is the photograph of the fat man. He is very large-both high and wide. He has filled the lens and now compels the eye. His broad face beams a friendly interest. His moustache is a flourishing, uncurbed, riotous growth above his billowy chin.

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The walls of the big living-room in the Arrowhead ranch house are tastefully enlivened here and there with artistic spoils of the owner, Mrs. Lysander John Pettengill. There are family portraits in crayon, photo-engravings of noble beasts clipped from the Breeder's Gazette, an etched cathedral or two, a stuffed and varnished trout of such size that no one would otherwise have believed in it, a print in three colours of a St. Bernard dog with a marked facial resemblance to the late William E. Gladstone, and a triumph of architectural perspective revealing two sides of the Pettengill block, corner of Fourth and Main streets, Red Gap, made vivacious by a bearded fop on horseback who doffs his silk hat to a couple of overdressed ladies with parasols in a passing victoria. And there is the photograph of the fat man. He is very large-both high and wide. He has filled the lens and now compels the eye. His broad face beams a friendly interest. His moustache is a flourishing, uncurbed, riotous growth above his billowy chin.

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