24,83 €
27,59 €
-10% with code: EXTRA
Sodom
Sodom
24,83
27,59 €
  • We will send in 10–14 business days.
Likely written in the 1950s, Sodom is an original play by the Polish-born Jewish-American laureate of the Nobel Prize for Literature. The play, based on the biblical tale of Lot and the destruction of Sodom, treats themes to which Singer returned over throughout his career-corruption and repentance. It also exhibits Singer's ability to move between comedy, political satire, and spiritual sentiment, all within a play that is loyal to its biblical sources. Portraying with such canonical character…
27.59
  • Publisher:
  • Year: 2022
  • Pages: 139
  • ISBN-10: 1632923769
  • ISBN-13: 9781632923769
  • Format: 12.7 x 20.3 x 0.8 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Sodom (e-book) (used book) | bookbook.eu

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Likely written in the 1950s, Sodom is an original play by the Polish-born Jewish-American laureate of the Nobel Prize for Literature. The play, based on the biblical tale of Lot and the destruction of Sodom, treats themes to which Singer returned over throughout his career-corruption and repentance. It also exhibits Singer's ability to move between comedy, political satire, and spiritual sentiment, all within a play that is loyal to its biblical sources. Portraying with such canonical characters as Lot and Abraham, the play shifts from comedic dialogue, to critiques of totalitarianism, to expressions of awe and faith, capturing the fear and trembling of the those who believe they have seen the great powers of the Abrahamic God.

The play is both a biblical comedy and a spiritual affirmation of the human need for the Divine.

24 characters, doubling and tripling permitted

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  • Publisher:
  • Year: 2022
  • Pages: 139
  • ISBN-10: 1632923769
  • ISBN-13: 9781632923769
  • Format: 12.7 x 20.3 x 0.8 cm, minkšti viršeliai
  • Language: English English

Likely written in the 1950s, Sodom is an original play by the Polish-born Jewish-American laureate of the Nobel Prize for Literature. The play, based on the biblical tale of Lot and the destruction of Sodom, treats themes to which Singer returned over throughout his career-corruption and repentance. It also exhibits Singer's ability to move between comedy, political satire, and spiritual sentiment, all within a play that is loyal to its biblical sources. Portraying with such canonical characters as Lot and Abraham, the play shifts from comedic dialogue, to critiques of totalitarianism, to expressions of awe and faith, capturing the fear and trembling of the those who believe they have seen the great powers of the Abrahamic God.

The play is both a biblical comedy and a spiritual affirmation of the human need for the Divine.

24 characters, doubling and tripling permitted

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