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- Author: Maria Judite de Carvalho
- Publisher: Two Lines Press
- ISBN-10: 1949641511
- ISBN-13: 9781949641516
- Format: 12.7 x 19.8 x 3.1 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Maria Judite de Carvalho (1921-1998) is now recognized as a major Portuguese writer of the twentieth century. In the short story she found the perfect vessel for her frank depictions of tragic, ordinary lives, and So Many People, Mariana collects her first four books of short fiction in English for the first time, telling of women and men in moments of existential conflict: with their families; with themselves; with the prospect of a better future--or any future at all. These stories, originally published between 1959 and 1967, when the Salazar dictatorship and the rigid edicts of the Catholic church reigned, are acerbic, artful, and funny. Translated by the renowned Margaret Jull Costa, Carvalho leads readers into the sensuous dark of life under patriarchal capitalism, proffering tragic visions of class-conscious malaise "as precisely and without sentiment as an autopsy" (New York Review of Books).
The promotion ends in 
- Author: Maria Judite de Carvalho
- Publisher: Two Lines Press
- ISBN-10: 1949641511
- ISBN-13: 9781949641516
- Format: 12.7 x 19.8 x 3.1 cm, minkšti viršeliai
- Language: English English
Maria Judite de Carvalho (1921-1998) is now recognized as a major Portuguese writer of the twentieth century. In the short story she found the perfect vessel for her frank depictions of tragic, ordinary lives, and So Many People, Mariana collects her first four books of short fiction in English for the first time, telling of women and men in moments of existential conflict: with their families; with themselves; with the prospect of a better future--or any future at all. These stories, originally published between 1959 and 1967, when the Salazar dictatorship and the rigid edicts of the Catholic church reigned, are acerbic, artful, and funny. Translated by the renowned Margaret Jull Costa, Carvalho leads readers into the sensuous dark of life under patriarchal capitalism, proffering tragic visions of class-conscious malaise "as precisely and without sentiment as an autopsy" (New York Review of Books).
Reviews