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- Author: Katrina Macapagal
- Publisher: Edinburgh University Press
- ISBN-10: 1474451896
- ISBN-13: 9781474451895
- Format: 15.6 x 23.4 x 1.4 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
Slum Imaginaries and Spatial Justice in Philippine Cinema (e-book) (used book) | bookbook.eu
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Description
Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framework of film studies and human geography. It formulates the theory of the 'slum chronotope' as a theoretical tool to analyse narrative and genre formation in films that dialogue with Manila's slum imaginaries, and makes the case for Philippine urban cinema - and Philippine urban history - as a significant vantage point from which to understand imaginaries of spatial justice.
With case studies that take off from The Blossoming of Maximo Oliveros (2005) to Respeto (2017), this book is a powerful contribution to transnational cinema studies.
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- Author: Katrina Macapagal
- Publisher: Edinburgh University Press
- ISBN-10: 1474451896
- ISBN-13: 9781474451895
- Format: 15.6 x 23.4 x 1.4 cm, hardcover
- Language: English English
Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framework of film studies and human geography. It formulates the theory of the 'slum chronotope' as a theoretical tool to analyse narrative and genre formation in films that dialogue with Manila's slum imaginaries, and makes the case for Philippine urban cinema - and Philippine urban history - as a significant vantage point from which to understand imaginaries of spatial justice.
With case studies that take off from The Blossoming of Maximo Oliveros (2005) to Respeto (2017), this book is a powerful contribution to transnational cinema studies.
Reviews