103,40 €
114,89 €
-10% with code: EXTRA
Site and Sound
103,40 € 
- We will send in 10–14 business days.
Site and Sound: Understanding Independent Music Scenes examines how independent pop and rock music scenes of the 1980s and 1990s were constituted within social and geographical spaces. Those active in the production and consumption of «indie» pop and rock music thought of their practices as largely independent of the music mainstream - even though some acts recorded for major labels. This book explores the web of personal, social, historical, geographical, cultural, and economic practices and…
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- Publisher: Peter Lang Inc., International Academic Publishers
- ISBN-10: 0820455520
- ISBN-13: 9780820455525
- Format: 15.2 x 22.9 x 1.1 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Site and Sound (e-book) (used book) | bookbook.eu
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Site and Sound: Understanding Independent Music Scenes examines how independent pop and rock music scenes of the 1980s and 1990s were constituted within social and geographical spaces. Those active in the production and consumption of «indie» pop and rock music thought of their practices as largely independent of the music mainstream - even though some acts recorded for major labels. This book explores the web of personal, social, historical, geographical, cultural, and economic practices and relationships involved in the production and consumption of «indie» music.EXTRA 10 % discount with code: EXTRA
103,40 €
114,89 €
We will send in 10–14 business days.
The promotion ends in 21d.00:07:04
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Publisher: Peter Lang Inc., International Academic Publishers
- ISBN-10: 0820455520
- ISBN-13: 9780820455525
- Format: 15.2 x 22.9 x 1.1 cm, softcover
- Language: English English
Site and Sound: Understanding Independent Music Scenes examines how independent pop and rock music scenes of the 1980s and 1990s were constituted within social and geographical spaces. Those active in the production and consumption of «indie» pop and rock music thought of their practices as largely independent of the music mainstream - even though some acts recorded for major labels. This book explores the web of personal, social, historical, geographical, cultural, and economic practices and relationships involved in the production and consumption of «indie» music.
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