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Sir William Forsythe's Freebase Nuptials: A Screenplay
Sir William Forsythe's Freebase Nuptials: A Screenplay
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30,59 €
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Fiction. Drama. Film. Sean Kilpatrick may be the P.G. Wodehouse of Hell. The blistering anger of his deliciously delirious rants delivers more cathartic mirth than provocation, and the ever-present poetic invention and subtly tidy thematic organization hiding in plain sight behind the ultra-violence inflicted on reader, characters, language and meaning suggest, in the end, a graceful and always musical accommodation to form. In this faux sequel to a Steven Seagal movie written in "80s Shakespea…
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Sir William Forsythe's Freebase Nuptials: A Screenplay (e-book) (used book) | bookbook.eu

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Fiction. Drama. Film. Sean Kilpatrick may be the P.G. Wodehouse of Hell. The blistering anger of his deliciously delirious rants delivers more cathartic mirth than provocation, and the ever-present poetic invention and subtly tidy thematic organization hiding in plain sight behind the ultra-violence inflicted on reader, characters, language and meaning suggest, in the end, a graceful and always musical accommodation to form. In this faux sequel to a Steven Seagal movie written in "80s Shakespeare," cultural icons Laurie Anderson, Michael Jackson, "Sir" William Forsythe, and assorted other henchmen and hemi-demi-semi- deities demean and demolish themselves and each other as they trace out, perhaps inadvertently but certainly hilariously, the delicate arc of a love story.

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  • Author: Sean Kilpatrick
  • Publisher:
  • Year: 2017
  • Pages: 94
  • ISBN-10: 1944697462
  • ISBN-13: 9781944697464
  • Format: 11.2 x 15 x 0.8 cm, minkšti viršeliai
  • Language: English English

Fiction. Drama. Film. Sean Kilpatrick may be the P.G. Wodehouse of Hell. The blistering anger of his deliciously delirious rants delivers more cathartic mirth than provocation, and the ever-present poetic invention and subtly tidy thematic organization hiding in plain sight behind the ultra-violence inflicted on reader, characters, language and meaning suggest, in the end, a graceful and always musical accommodation to form. In this faux sequel to a Steven Seagal movie written in "80s Shakespeare," cultural icons Laurie Anderson, Michael Jackson, "Sir" William Forsythe, and assorted other henchmen and hemi-demi-semi- deities demean and demolish themselves and each other as they trace out, perhaps inadvertently but certainly hilariously, the delicate arc of a love story.

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