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- Author: Michael Yates
- Publisher: Nettle Books
- ISBN-10: 0956151337
- ISBN-13: 9780956151339
- Format: 15.2 x 22.9 x 0.7 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Three one-act plays by Michael Yates. LIFE SENTENCE: Hell hath no fury like a woman scorned - especially when she has a meat cleaver in her hand! A dark comedy about the violent games lovers play. Winner of the Stanley Arnold Trophy at Sheffield One-Act Play Festival. TILL MY EYES BLEED: Loyal Mel hires the theatre to host a wake for his best friend Adrian. But it becomes apparent - to everyone except Mel - that Mel's wife had enjoyed a passionate affair with Adrian. Will Mel guess the truth before the end of the night? SUNDAY AFTERNOON AGAIN: Eight-year-old Lenny has two big worries: His mum and dad are always fighting, and there's a wicked witch living next door! A poignant play about growing up, chosen for Liverpool's Write Now One-Act Play Festival, and described by critic Laurence Raw as "sharply observed... vividly demonstrates how the past exerts a powerful influence over the present."
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- Author: Michael Yates
- Publisher: Nettle Books
- ISBN-10: 0956151337
- ISBN-13: 9780956151339
- Format: 15.2 x 22.9 x 0.7 cm, minkšti viršeliai
- Language: English English
Three one-act plays by Michael Yates. LIFE SENTENCE: Hell hath no fury like a woman scorned - especially when she has a meat cleaver in her hand! A dark comedy about the violent games lovers play. Winner of the Stanley Arnold Trophy at Sheffield One-Act Play Festival. TILL MY EYES BLEED: Loyal Mel hires the theatre to host a wake for his best friend Adrian. But it becomes apparent - to everyone except Mel - that Mel's wife had enjoyed a passionate affair with Adrian. Will Mel guess the truth before the end of the night? SUNDAY AFTERNOON AGAIN: Eight-year-old Lenny has two big worries: His mum and dad are always fighting, and there's a wicked witch living next door! A poignant play about growing up, chosen for Liverpool's Write Now One-Act Play Festival, and described by critic Laurence Raw as "sharply observed... vividly demonstrates how the past exerts a powerful influence over the present."
Reviews