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- Author: Sister Miriam Joseph
- Publisher: Martino Fine Books
- ISBN-10: 1614274894
- ISBN-13: 9781614274896
- Format: 15.2 x 22.9 x 2.5 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
2013 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This was the first book which presented, in a complete manner, a general theory of composition then current in Renaissance England. Its particular contribution is the reorganization of the two hundred figures of speech, distinguished by Renaissance rhetoricians, into a simple, understandable pattern basic in Aristotle's Rhetoric: grammar logos, pathos and ethos. The purpose of the book is to provide a handbook of the theory of composition then current during the English Renaissance and to show Shakespeare's use of this theory by simple illustration from his plays and poems. The book is addressed to the wide audience of teachers of English and Renaissance literature, the philologist, the Shakespearian scholar, and to students and teachers of all Romance languages.
EXTRA 10 % discount with code: EXTRA
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- Author: Sister Miriam Joseph
- Publisher: Martino Fine Books
- ISBN-10: 1614274894
- ISBN-13: 9781614274896
- Format: 15.2 x 22.9 x 2.5 cm, minkšti viršeliai
- Language: English English
2013 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This was the first book which presented, in a complete manner, a general theory of composition then current in Renaissance England. Its particular contribution is the reorganization of the two hundred figures of speech, distinguished by Renaissance rhetoricians, into a simple, understandable pattern basic in Aristotle's Rhetoric: grammar logos, pathos and ethos. The purpose of the book is to provide a handbook of the theory of composition then current during the English Renaissance and to show Shakespeare's use of this theory by simple illustration from his plays and poems. The book is addressed to the wide audience of teachers of English and Renaissance literature, the philologist, the Shakespearian scholar, and to students and teachers of all Romance languages.
Reviews