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Sant' Ilario
Sant' Ilario
16,10 €
17,89 €
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Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while the delicate dark moustache had slightly thickened. He had grown to be a very soldierly young fellow, str…
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Sant' Ilario (e-book) (used book) | F Marion Crawford | bookbook.eu

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Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while the delicate dark moustache had slightly thickened. He had grown to be a very soldierly young fellow, straight and alert, quick of hand and eye, inured to that perpetual readiness which is the first characteristic of the good soldier, whether in peace or war. The dreamy look that was so often in his face in the days when he sat upon a high stool painting the portrait of Donna Tullia Mayer, had given place to an expression of wide-awake curiosity in the world's doings.

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Two years of service in the Zouaves had wrought a change in Anastase Gouache, the painter. He was still a light man, nervously built, with small hands and feet, and a delicate face; but constant exposure to the weather had browned his skin, and a life of unceasing activity had strengthened his sinews and hardened his compact frame. The clustering black curls were closely cropped, too, while the delicate dark moustache had slightly thickened. He had grown to be a very soldierly young fellow, straight and alert, quick of hand and eye, inured to that perpetual readiness which is the first characteristic of the good soldier, whether in peace or war. The dreamy look that was so often in his face in the days when he sat upon a high stool painting the portrait of Donna Tullia Mayer, had given place to an expression of wide-awake curiosity in the world's doings.

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