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- Author: Marie Krysinska
- Publisher: University of Exeter Press
- ISBN-10: 0859897117
- ISBN-13: 9780859897112
- Format: 15.2 x 23.4 x 1.1 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
The poems in Rythmes pittoresques, first published in 1890, present not only a poet searching for a voice, but also a female poet searching for a voice while breaking down rules of both versification and gender-determined source of expression. They went straight to the heart of the male-dominated poetry of the time and effectively threatened its existence. Of the group of poets who were the first to write free-verse poetry in French - Marie Krysinska, Arthur Rimbaud, Jules Laforgue, Gustave Kahn - only Marie Krysinska (1857-1908) has not received critical recognition. Although it was quickly dismissed by critics simply because it was written by a female poet, Krysinska's poetry gives insight into the creation of a new form of feminine expression as well as the persecution of the female artist viewed by her largely male peers, readership and competitors.
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- Author: Marie Krysinska
- Publisher: University of Exeter Press
- ISBN-10: 0859897117
- ISBN-13: 9780859897112
- Format: 15.2 x 23.4 x 1.1 cm, minkšti viršeliai
- Language: English English
The poems in Rythmes pittoresques, first published in 1890, present not only a poet searching for a voice, but also a female poet searching for a voice while breaking down rules of both versification and gender-determined source of expression. They went straight to the heart of the male-dominated poetry of the time and effectively threatened its existence. Of the group of poets who were the first to write free-verse poetry in French - Marie Krysinska, Arthur Rimbaud, Jules Laforgue, Gustave Kahn - only Marie Krysinska (1857-1908) has not received critical recognition. Although it was quickly dismissed by critics simply because it was written by a female poet, Krysinska's poetry gives insight into the creation of a new form of feminine expression as well as the persecution of the female artist viewed by her largely male peers, readership and competitors.
Reviews