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Royal Hipsters of Jazz
Royal Hipsters of Jazz
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13,19 €
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THIRD EDITION: Forward by Sarah A. Smith, Jazz was burned into Romania's psyche around 1918, after a great war unified its kingdoms amid totemic change. But through negotiation of multi-veiled alliances, a nation of Romantics gave birth to a jazz subclass directly linked with its classical music. From its juxtaposition with an American hybrid, Romanian jazz revealed a cosmopolitanism different, but equal to what had been found in its literature, architecture and visual arts, eventually aligning…
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Royal Hipsters of Jazz (e-book) (used book) | Tom Smith | bookbook.eu

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THIRD EDITION: Forward by Sarah A. Smith, Jazz was burned into Romania's psyche around 1918, after a great war unified its kingdoms amid totemic change. But through negotiation of multi-veiled alliances, a nation of Romantics gave birth to a jazz subclass directly linked with its classical music. From its juxtaposition with an American hybrid, Romanian jazz revealed a cosmopolitanism different, but equal to what had been found in its literature, architecture and visual arts, eventually aligning with a school of avant-garde fused with patronage. More than a standard accounting, this short tome examines how and why jazz histories are written, influences of race, ethnicity, globalization and revision, and why reporting jazz is so difficult.

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  • Author: Tom Smith
  • Publisher:
  • ISBN-10: 1730764541
  • ISBN-13: 9781730764547
  • Format: 15.2 x 22.9 x 0.7 cm, minkšti viršeliai
  • Language: English English

THIRD EDITION: Forward by Sarah A. Smith, Jazz was burned into Romania's psyche around 1918, after a great war unified its kingdoms amid totemic change. But through negotiation of multi-veiled alliances, a nation of Romantics gave birth to a jazz subclass directly linked with its classical music. From its juxtaposition with an American hybrid, Romanian jazz revealed a cosmopolitanism different, but equal to what had been found in its literature, architecture and visual arts, eventually aligning with a school of avant-garde fused with patronage. More than a standard accounting, this short tome examines how and why jazz histories are written, influences of race, ethnicity, globalization and revision, and why reporting jazz is so difficult.

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