Reviews
Description
"Kristofer Collins brilliantly captures what life has been like in our fractured country in these pandemic years where we've been left wondering how to redeem meaning from the political rubble, and how to go forth with eyes open- even while sometimes teetering on the edge of despair. Despite his wrestling with a dark time, Collins ultimately offers us a vision where friendship and love become even more crucial. So many poems here are addressed to specific people, and you come away remembering that our connection to one another is what sustains us, as does our loyalty to place- in this case Pittsburgh- not quite "a fountain city" as his two year old son believes, but a hard won turf brimming with history and memory. "Is someone in that silent house hurting?" he wonders in "Music", the question illuminating Collins' desire to extend the already wide net of his compassion. His distinctive, unpretentious voice makes him the sort of poet who feels like a trusted friend you want to carry with you as you make your way home."
-Jane McCafferty, author of Thank You for the
Music
-Nancy Krygowski, author of The Woman in the
Corner
-Deesha Philyaw, author of The Secret Lives of
Church Ladies
-Tony Norman is a columnist and book review
editor for the Pittsburgh Post-Gazette
"Kristofer Collins brilliantly captures what life has been like in our fractured country in these pandemic years where we've been left wondering how to redeem meaning from the political rubble, and how to go forth with eyes open- even while sometimes teetering on the edge of despair. Despite his wrestling with a dark time, Collins ultimately offers us a vision where friendship and love become even more crucial. So many poems here are addressed to specific people, and you come away remembering that our connection to one another is what sustains us, as does our loyalty to place- in this case Pittsburgh- not quite "a fountain city" as his two year old son believes, but a hard won turf brimming with history and memory. "Is someone in that silent house hurting?" he wonders in "Music", the question illuminating Collins' desire to extend the already wide net of his compassion. His distinctive, unpretentious voice makes him the sort of poet who feels like a trusted friend you want to carry with you as you make your way home."
-Jane McCafferty, author of Thank You for the
Music
-Nancy Krygowski, author of The Woman in the
Corner
-Deesha Philyaw, author of The Secret Lives of
Church Ladies
-Tony Norman is a columnist and book review
editor for the Pittsburgh Post-Gazette
Reviews