32,48 €
36,09 €
-10% with code: EXTRA
Rorschach Art Too
Rorschach Art Too
32,48
36,09 €
  • We will send in 10–14 business days.
Stephen Gibson's poems are the work of a serious, intent, often appalled tourist. The word might look like a putdown, but his subject is the glamour and horror of history, and when it comes to the past, attentive tourism is the best that any of us can hope for. This tourist's gaze if focused and fascinated, his tone is even and intelligent (as he has it in one poem, "scared in the headlights, but the brain busy nonetheless"), and his technique is all but flawless (unobtrusively so, a true case…
36.09
  • Publisher:
  • Year: 2021
  • Pages: 64
  • ISBN-10: 1586543687
  • ISBN-13: 9781586543686
  • Format: 15.2 x 22.9 x 0.4 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Rorschach Art Too (e-book) (used book) | Stephen Gibson | bookbook.eu

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Stephen Gibson's poems are the work of a serious, intent, often appalled tourist. The word might look like a putdown, but his subject is the glamour and horror of history, and when it comes to the past, attentive tourism is the best that any of us can hope for. This tourist's gaze if focused and fascinated, his tone is even and intelligent (as he has it in one poem, "scared in the headlights, but the brain busy nonetheless"), and his technique is all but flawless (unobtrusively so, a true case of art hiding art). Together the gaze, the subjects on which it alights, and the poet's superlative skill add up to poems of astute, moving observation and often overwhelming authority.
--Dick Davis

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  • Author: Stephen Gibson
  • Publisher:
  • Year: 2021
  • Pages: 64
  • ISBN-10: 1586543687
  • ISBN-13: 9781586543686
  • Format: 15.2 x 22.9 x 0.4 cm, minkšti viršeliai
  • Language: English English

Stephen Gibson's poems are the work of a serious, intent, often appalled tourist. The word might look like a putdown, but his subject is the glamour and horror of history, and when it comes to the past, attentive tourism is the best that any of us can hope for. This tourist's gaze if focused and fascinated, his tone is even and intelligent (as he has it in one poem, "scared in the headlights, but the brain busy nonetheless"), and his technique is all but flawless (unobtrusively so, a true case of art hiding art). Together the gaze, the subjects on which it alights, and the poet's superlative skill add up to poems of astute, moving observation and often overwhelming authority.
--Dick Davis

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