908,18 €
1009,09 €
-10% with code: EXTRA
Roots of the Classical
908,18 € 
- We will send in 10–14 business days.
Roots of the Classical identifies and traces to their source the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 's…
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- Author: Peter Van Der Merwe
- Publisher: Oxford University Press, USA
- ISBN-10: 0198166478
- ISBN-13: 9780198166474
- Format: 16.6 x 23.9 x 3.6 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
Roots of the Classical identifies and traces to their source the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.EXTRA 10 % discount with code: EXTRA
908,18 €
1009,09 €
We will send in 10–14 business days.
The promotion ends in 17d.21:48:09
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Peter Van Der Merwe
- Publisher: Oxford University Press, USA
- ISBN-10: 0198166478
- ISBN-13: 9780198166474
- Format: 16.6 x 23.9 x 3.6 cm, hardcover
- Language: English English
Roots of the Classical identifies and traces to their source the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.
Reviews