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Rhapsody for the Theatre
Rhapsody for the Theatre
35,63
39,59 €
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For Alain Badiou, theatre--unlike cinema--is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censors…
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  • ISBN-10: 1781681252
  • ISBN-13: 9781781681251
  • Format: 13.7 x 20.6 x 1.8 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

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For Alain Badiou, theatre--unlike cinema--is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship.

This definitive collection includes not only Badiou's pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou's own work as a playwright, as author of the Ahmed Tetralogy.

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  • Author: Alain Badiou
  • Publisher:
  • ISBN-10: 1781681252
  • ISBN-13: 9781781681251
  • Format: 13.7 x 20.6 x 1.8 cm, minkšti viršeliai
  • Language: English English

For Alain Badiou, theatre--unlike cinema--is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship.

This definitive collection includes not only Badiou's pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou's own work as a playwright, as author of the Ahmed Tetralogy.

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