22,13 €
24,59 €
-10% with code: EXTRA
Resisting Probability
Resisting Probability
22,13
24,59 €
  • We will send in 10–14 business days.
Poetry. The uncanny obstinacy of Colin James' poems in RESISTING PROBABILITY lingers like an elusive aftertaste, a sense of raw, stunted assertion and material finality both incomplete and unchangeable. This is we feel how things are, as we settle into the Jamesian groove: whimsical, laconic, gnomic, with a strange resilience of their own no matter how gnarled in form. What feels most solid, though, may not be things themselves, or what is said, but the unsettling edge of silence around them, w…
24.59
  • Publisher:
  • Year: 2017
  • ISBN-10: 1944697500
  • ISBN-13: 9781944697501
  • Format: 11.2 x 14.7 x 0.5 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Resisting Probability (e-book) (used book) | Colin James | bookbook.eu

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Poetry. The uncanny obstinacy of Colin James' poems in RESISTING PROBABILITY lingers like an elusive aftertaste, a sense of raw, stunted assertion and material finality both incomplete and unchangeable. This is we feel how things are, as we settle into the Jamesian groove: whimsical, laconic, gnomic, with a strange resilience of their own no matter how gnarled in form. What feels most solid, though, may not be things themselves, or what is said, but the unsettling edge of silence around them, with a hint of something a little dangerous, but funny too. We learn to take it like it is: "When these are moved / to the center of the room / things don't improve."

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  • Author: Colin James
  • Publisher:
  • Year: 2017
  • ISBN-10: 1944697500
  • ISBN-13: 9781944697501
  • Format: 11.2 x 14.7 x 0.5 cm, minkšti viršeliai
  • Language: English English

Poetry. The uncanny obstinacy of Colin James' poems in RESISTING PROBABILITY lingers like an elusive aftertaste, a sense of raw, stunted assertion and material finality both incomplete and unchangeable. This is we feel how things are, as we settle into the Jamesian groove: whimsical, laconic, gnomic, with a strange resilience of their own no matter how gnarled in form. What feels most solid, though, may not be things themselves, or what is said, but the unsettling edge of silence around them, with a hint of something a little dangerous, but funny too. We learn to take it like it is: "When these are moved / to the center of the room / things don't improve."

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