- We will send in 10–14 business days.
/images/books/14243442/9781009467872.jpg)
- Author: Rod Davies
- Publisher: Cambridge University Press
- ISBN-10: 1009467875
- ISBN-13: 9781009467872
- Format: 15.2 x 22.9 x 0.6 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
The recording studio is a performance setting in which popular music performers often produce multiple takes, using particular strategies to vary outcomes in search of the 'perfect take'. However, repetition offers the opportunity to discover the unexplored liminality between what we expect to hear and what is performed. Observing multiple takes of one's own recorded performance within the temporal limits of a vocal recording session yields qualitative data to create an ethnography of both the process and the Work itself. Presenting artefacts from a recording session in conjunction with an autoethnographic text provides a demonstration of how evolving external cues, and internal cognitive scripts interact with technology and social conventions in the recording studio to impact a popular music musician's performance and, in effect, the creation of a new Work.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 20d.07:17:00
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Rod Davies
- Publisher: Cambridge University Press
- ISBN-10: 1009467875
- ISBN-13: 9781009467872
- Format: 15.2 x 22.9 x 0.6 cm, hardcover
- Language: English English
The recording studio is a performance setting in which popular music performers often produce multiple takes, using particular strategies to vary outcomes in search of the 'perfect take'. However, repetition offers the opportunity to discover the unexplored liminality between what we expect to hear and what is performed. Observing multiple takes of one's own recorded performance within the temporal limits of a vocal recording session yields qualitative data to create an ethnography of both the process and the Work itself. Presenting artefacts from a recording session in conjunction with an autoethnographic text provides a demonstration of how evolving external cues, and internal cognitive scripts interact with technology and social conventions in the recording studio to impact a popular music musician's performance and, in effect, the creation of a new Work.
Reviews