- We will send in 10–14 business days.
/images/books/3350952/9780367461812.jpg)
- Author: Michail Exarchos
- Publisher: Focal Press
- ISBN-10: 0367461811
- ISBN-13: 9780367461812
- Format: 17 x 24.4 x 1.3 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond.
Beginning with the history of hip-hop music-making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of hip hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production.
With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates and researchers working in audio engineering, music production, hip-hop studies, and musicology.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 21d.18:49:56
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Michail Exarchos
- Publisher: Focal Press
- ISBN-10: 0367461811
- ISBN-13: 9780367461812
- Format: 17 x 24.4 x 1.3 cm, kieti viršeliai
- Language: English English
Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond.
Beginning with the history of hip-hop music-making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of hip hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production.
With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates and researchers working in audio engineering, music production, hip-hop studies, and musicology.
Reviews