- We will send in 10–14 business days.
/images/books/12544641/9781928502678.jpg)
- Publisher: African Minds
- ISBN-10: 1928502679
- ISBN-13: 9781928502678
- Format: 17 x 24.4 x 1.4 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
Reframing Africa? Reflections on Modernity and the Moving Image (e-book) (used book) | bookbook.eu
Reviews
Description
This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa? makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contemporary Africans, possessed of the power to elucidate their lived experiences and to reorientate perceptions of the past, present and future. On the basis of this wide-ranging appreciation of the archive, the book charts a way forward for African-inflected film studies as well as other programmes in the humanities and social sciences.
EXTRA 10 % discount with code: EXTRA
The promotion ends in 22d.04:30:03
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Publisher: African Minds
- ISBN-10: 1928502679
- ISBN-13: 9781928502678
- Format: 17 x 24.4 x 1.4 cm, minkšti viršeliai
- Language: English English
This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa? makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contemporary Africans, possessed of the power to elucidate their lived experiences and to reorientate perceptions of the past, present and future. On the basis of this wide-ranging appreciation of the archive, the book charts a way forward for African-inflected film studies as well as other programmes in the humanities and social sciences.
Reviews