157,13 €
174,59 €
-10% with code: EXTRA
Radical Satire and Print Culture, 1790-1822
157,13 € 
- We will send in 10–14 business days.
Radical Satire and Print Culture 1790-1822 focuses on the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic satirist George Cruikshank. Wood provides a much needed analytical framework for Regency radical satire uncovering a set of new sources and previously unknown cultural contexts for Hone and Cruikshank's work, which is shown to combine modernity and tradition in thrilling ways. Entertaining and original, this…
174.59
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- Author: Marcus Wood
- Publisher: Clarendon Press
- ISBN-10: 0198112785
- ISBN-13: 9780198112785
- Format: 15 x 22.2 x 2.7 cm, kieti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
Radical Satire and Print Culture 1790-1822 focuses on the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic satirist George Cruikshank. Wood provides a much needed analytical framework for Regency radical satire uncovering a set of new sources and previously unknown cultural contexts for Hone and Cruikshank's work, which is shown to combine modernity and tradition in thrilling ways. Entertaining and original, this is an important contribution to the study of radical satire, which sheds new light on the relations between popular political authors and graphic artists and the major Romantic writers of the period.EXTRA 10 % discount with code: EXTRA
157,13 €
174,59 €
We will send in 10–14 business days.
The promotion ends in 21d.23:26:26
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Marcus Wood
- Publisher: Clarendon Press
- ISBN-10: 0198112785
- ISBN-13: 9780198112785
- Format: 15 x 22.2 x 2.7 cm, kieti viršeliai
- Language: English English
Radical Satire and Print Culture 1790-1822 focuses on the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic satirist George Cruikshank. Wood provides a much needed analytical framework for Regency radical satire uncovering a set of new sources and previously unknown cultural contexts for Hone and Cruikshank's work, which is shown to combine modernity and tradition in thrilling ways. Entertaining and original, this is an important contribution to the study of radical satire, which sheds new light on the relations between popular political authors and graphic artists and the major Romantic writers of the period.
Reviews