46,97 €
52,19 €
-10% with code: EXTRA
Quasi Una Fantasia
Quasi Una Fantasia
46,97
52,19 €
  • We will send in 10–14 business days.
This collection covers a wide range of topics, from a moving study of Bizet's Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno's "dialectical portrait" of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting i…
52.19
  • Publisher:
  • Pages: 352
  • ISBN-10: 1844677923
  • ISBN-13: 9781844677924
  • Format: 12.7 x 19.3 x 2.5 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Quasi Una Fantasia (e-book) (used book) | Theodor Adorno | bookbook.eu

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This collection covers a wide range of topics, from a moving study of Bizet's Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno's "dialectical portrait" of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.

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  • Author: Theodor Adorno
  • Publisher:
  • Pages: 352
  • ISBN-10: 1844677923
  • ISBN-13: 9781844677924
  • Format: 12.7 x 19.3 x 2.5 cm, minkšti viršeliai
  • Language: English English

This collection covers a wide range of topics, from a moving study of Bizet's Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno's "dialectical portrait" of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.

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