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Description
This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art - from FDR's New Deal to Christo's The Gates - and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts.
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This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art - from FDR's New Deal to Christo's The Gates - and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts.
Reviews