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Prospecting
Prospecting
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68,99 €
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Why do we need literature, and what does this need tell us about human nature? Wolfgang Iser shows how these questions grew out of his pioneering work in reader-response criticism and how the answers to them may lie in the new field of literary anthropology. Iser's recent work spans a wide range of viewpoints and subject matter, from sixteenth- to twentieth-century literature, from Spenser and Shakespeare to Joyce and Beckett. In thirteen chapters that chart his intellectual development over th…
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Prospecting (e-book) (used book) | Wolfgang Iser | bookbook.eu

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Why do we need literature, and what does this need tell us about human nature? Wolfgang Iser shows how these questions grew out of his pioneering work in reader-response criticism and how the answers to them may lie in the new field of literary anthropology. Iser's recent work spans a wide range of viewpoints and subject matter, from sixteenth- to twentieth-century literature, from Spenser and Shakespeare to Joyce and Beckett. In thirteen chapters that chart his intellectual development over the past decade, Iser sets forth what reader-response theory has accomplished--and where it has fallen short. Reevaluating such time-honored concepts as representation, he sketches out a new "play theory" of the text that sees literature as an ongoing enactment of human possibilities.

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Why do we need literature, and what does this need tell us about human nature? Wolfgang Iser shows how these questions grew out of his pioneering work in reader-response criticism and how the answers to them may lie in the new field of literary anthropology. Iser's recent work spans a wide range of viewpoints and subject matter, from sixteenth- to twentieth-century literature, from Spenser and Shakespeare to Joyce and Beckett. In thirteen chapters that chart his intellectual development over the past decade, Iser sets forth what reader-response theory has accomplished--and where it has fallen short. Reevaluating such time-honored concepts as representation, he sketches out a new "play theory" of the text that sees literature as an ongoing enactment of human possibilities.

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