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- Author: Mikhail Bakhtin
- Publisher: University of Minnesota Press
- Pages: 334
- ISBN-10: 0816612285
- ISBN-13: 9780816612284
- Format: 15.6 x 23.1 x 2.3 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Reviews
Description
This book is not only a major twentieth-century contribution to Dostoevsky's studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle."Bakhtin's statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory." Edward Wasiolek"Concentrating on the particular features of 'Dostoevskian discourse, ' how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century." The Bloomsbury Review
EXTRA 10 % discount with code: EXTRA
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- Author: Mikhail Bakhtin
- Publisher: University of Minnesota Press
- Pages: 334
- ISBN-10: 0816612285
- ISBN-13: 9780816612284
- Format: 15.6 x 23.1 x 2.3 cm, softcover
- Language: English English
This book is not only a major twentieth-century contribution to Dostoevsky's studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle."Bakhtin's statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory." Edward Wasiolek"Concentrating on the particular features of 'Dostoevskian discourse, ' how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century." The Bloomsbury Review
Reviews