295,01 €
327,79 €
-10% with code: EXTRA
Printing Terror
295,01 € 
- We will send in 10–14 business days.
Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstr…
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- Author: Michael Goodrum
- Publisher: Manchester University Press
- ISBN-10: 1526135922
- ISBN-13: 9781526135926
- Format: 15.6 x 23.4 x 1.9 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
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Description
Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.EXTRA 10 % discount with code: EXTRA
295,01 €
327,79 €
We will send in 10–14 business days.
The promotion ends in 15d.22:55:09
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Michael Goodrum
- Publisher: Manchester University Press
- ISBN-10: 1526135922
- ISBN-13: 9781526135926
- Format: 15.6 x 23.4 x 1.9 cm, hardcover
- Language: English English
Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.
Reviews