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48,19 €
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Postmodern Movies
Postmodern Movies
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48,19 €
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Genre is the classic, modernist method of identifying a movie. A movie is a Western. Or it a Film Noir. Or it is a Romantic Comedy. Or whatever.But what if, as Jacque Derrida has asked, there is something more going on?"What if there were, lodged within the heart of the law of genre itself, a law of impurity or a principle of contamination? And suppose the condition for the possibility of the law were the a priori of a counter-law, an axiom of impossibility that would confound its sense, order,…
48.19
  • Publisher:
  • Year: 2016
  • Pages: 190
  • ISBN-10: 194429600X
  • ISBN-13: 9781944296001
  • Format: 15.2 x 22.9 x 1.1 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Postmodern Movies (e-book) (used book) | Richard Gilmore | bookbook.eu

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Genre is the classic, modernist method of identifying a movie. A movie is a Western. Or it a Film Noir. Or it is a Romantic Comedy. Or whatever.But what if, as Jacque Derrida has asked, there is something more going on?"What if there were, lodged within the heart of the law of genre itself, a law of impurity or a principle of contamination? And suppose the condition for the possibility of the law were the a priori of a counter-law, an axiom of impossibility that would confound its sense, order, and reason?" These postmodern questions destabilize not only the idea of individual genres, but the very idea of genre itself. Hence: neo-genres. Neo-genres are genres that understand, as it were, their own contingency. Neo-genres revel in their own self-consciousness. In this ground-breaking new book, film scholar Richard Gilmore reflects on these neo-genre films, and the wisdom - if any - that can be found in them.

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  • Author: Richard Gilmore
  • Publisher:
  • Year: 2016
  • Pages: 190
  • ISBN-10: 194429600X
  • ISBN-13: 9781944296001
  • Format: 15.2 x 22.9 x 1.1 cm, minkšti viršeliai
  • Language: English English

Genre is the classic, modernist method of identifying a movie. A movie is a Western. Or it a Film Noir. Or it is a Romantic Comedy. Or whatever.But what if, as Jacque Derrida has asked, there is something more going on?"What if there were, lodged within the heart of the law of genre itself, a law of impurity or a principle of contamination? And suppose the condition for the possibility of the law were the a priori of a counter-law, an axiom of impossibility that would confound its sense, order, and reason?" These postmodern questions destabilize not only the idea of individual genres, but the very idea of genre itself. Hence: neo-genres. Neo-genres are genres that understand, as it were, their own contingency. Neo-genres revel in their own self-consciousness. In this ground-breaking new book, film scholar Richard Gilmore reflects on these neo-genre films, and the wisdom - if any - that can be found in them.

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