338,84 €
376,49 €
-10% with code: EXTRA
Point of View in the Cinema
Point of View in the Cinema
338,84
376,49 €
  • We will send in 10–14 business days.
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a charact…
  • Publisher:
  • Year: 2010
  • Pages: 262
  • ISBN-10: 9027930791
  • ISBN-13: 9789027930798
  • Format: 15.6 x 23.4 x 1.8 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

Point of View in the Cinema (e-book) (used book) | bookbook.eu

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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

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  • Author: Edward Branigan
  • Publisher:
  • Year: 2010
  • Pages: 262
  • ISBN-10: 9027930791
  • ISBN-13: 9789027930798
  • Format: 15.6 x 23.4 x 1.8 cm, hardcover
  • Language: English English

Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

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