Reviews
Description
The voice of the speaker in Zack Rearick's debut chapbook is able to be lyrical and conversational, even humorously self-deprecating. It reads as though it was effortless to write, but the poems are dangerous and intimate. The collection is a crescendo, developing to its final poem, "Nightmare Girl." Poems in Which I am Stepped On is confessional poetry in the spirit of a contemporary Plath or even more, Anne Sexton, who the collection makes reference to several times. In the hands of a lesser poet, this connection might read as melodrama or an exercise in self-pity, but this is a snapshot of a poet's construction of self through others. Those others might be ex-girlfriends who were more like "new sisters" or characters from film, but the question that seems to be an unspoken through line is "what if I loved you?" Ultimately, these poems are equal parts sass and sorrow, boldness and brilliance.
The voice of the speaker in Zack Rearick's debut chapbook is able to be lyrical and conversational, even humorously self-deprecating. It reads as though it was effortless to write, but the poems are dangerous and intimate. The collection is a crescendo, developing to its final poem, "Nightmare Girl." Poems in Which I am Stepped On is confessional poetry in the spirit of a contemporary Plath or even more, Anne Sexton, who the collection makes reference to several times. In the hands of a lesser poet, this connection might read as melodrama or an exercise in self-pity, but this is a snapshot of a poet's construction of self through others. Those others might be ex-girlfriends who were more like "new sisters" or characters from film, but the question that seems to be an unspoken through line is "what if I loved you?" Ultimately, these poems are equal parts sass and sorrow, boldness and brilliance.
Reviews