103,13 €
114,59 €
-10% with code: EXTRA
Poel, Granville Barker, Guthrie, Wanamaker
Poel, Granville Barker, Guthrie, Wanamaker
103,13
114,59 €
  • We will send in 10–14 business days.
All four figures in this volume have been canonized as central to 'stage-centred' Shakespearean scholarship and stage practice. From William Poel's reproductions of early modern stages in the late nineteenth century to Sam Wanamaker's reconstruction of the Globe on London's South Bank, they all viewed Shakespeare's plays as being enmeshed in the social and historical dynamics of theatremaking and theatregoing. The volume considers how their attempts to recapture early modern performance conditi…
114.59
  • Publisher:
  • Year: 2015
  • Pages: 264
  • ISBN-10: 1474253849
  • ISBN-13: 9781474253840
  • Format: 15.2 x 23.1 x 1.5 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Poel, Granville Barker, Guthrie, Wanamaker (e-book) (used book) | bookbook.eu

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All four figures in this volume have been canonized as central to 'stage-centred' Shakespearean scholarship and stage practice. From William Poel's reproductions of early modern stages in the late nineteenth century to Sam Wanamaker's reconstruction of the Globe on London's South Bank, they all viewed Shakespeare's plays as being enmeshed in the social and historical dynamics of theatremaking and theatregoing. The volume considers how their attempts to recapture early modern performance conditions can be considered progressive.

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  • Publisher:
  • Year: 2015
  • Pages: 264
  • ISBN-10: 1474253849
  • ISBN-13: 9781474253840
  • Format: 15.2 x 23.1 x 1.5 cm, minkšti viršeliai
  • Language: English English

All four figures in this volume have been canonized as central to 'stage-centred' Shakespearean scholarship and stage practice. From William Poel's reproductions of early modern stages in the late nineteenth century to Sam Wanamaker's reconstruction of the Globe on London's South Bank, they all viewed Shakespeare's plays as being enmeshed in the social and historical dynamics of theatremaking and theatregoing. The volume considers how their attempts to recapture early modern performance conditions can be considered progressive.

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