43,91 €
48,79 €
-10% with code: EXTRA
Philosophy of the Sky
Philosophy of the Sky
43,91
48,79 €
  • We will send in 10–14 business days.
PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction. The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov…
48.79
  • Publisher:
  • Year: 2021
  • Pages: 240
  • ISBN-10: 1948687283
  • ISBN-13: 9781948687287
  • Format: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

Philosophy of the Sky (e-book) (used book) | Evan Isoline | bookbook.eu

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PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction.

The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov chain generators, and AI natural language generators for the purpose of eliminating narrative preconception, discovering subconscious visual realms, and spotlighting a point of tension between natural and artificial aesthetic forms. The formatting of text becomes an important cinematographic framing tool.

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  • Author: Evan Isoline
  • Publisher:
  • Year: 2021
  • Pages: 240
  • ISBN-10: 1948687283
  • ISBN-13: 9781948687287
  • Format: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
  • Language: English English

PHILOSOPHY OF THE SKY is not a work of philosophy in an academic or traditional sense. It is, however, highly philosophical, totemic, and personal. In the book, Evan uses the sky as an abstract philosophical concept, like a cinematic backdrop, to explore conceptual associations between selfhood, objecthood, the body, apocalypticism, masculinity, masturbation, and self-destruction.

The text, symbol, and glyph are partially augmented by chance cut-up processes such as language translators, Markov chain generators, and AI natural language generators for the purpose of eliminating narrative preconception, discovering subconscious visual realms, and spotlighting a point of tension between natural and artificial aesthetic forms. The formatting of text becomes an important cinematographic framing tool.

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