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60,69 €
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Outreach
Outreach
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60,69 €
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The William Humphreys Art Gallery (WHAG) in Kimberley is South Africa's smallest nationally funded gallery. It is also the country's most dynamic and innovative in terms of its response to the changing socio-political terrain in which it has operated during its 60-year life. From its origins as a typical colonial repository of imported culture, WHAG now holds one of the finest collections of the diverse streams of South African art. It also runs unique projects which have transformed the galler…
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Outreach (e-book) (used book) | David Robbins | bookbook.eu

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The William Humphreys Art Gallery (WHAG) in Kimberley is South Africa's smallest nationally funded gallery. It is also the country's most dynamic and innovative in terms of its response to the changing socio-political terrain in which it has operated during its 60-year life. From its origins as a typical colonial repository of imported culture, WHAG now holds one of the finest collections of the diverse streams of South African art. It also runs unique projects which have transformed the gallery from an isolated cultural enclave into the nerve centre for thriving outreach in the most desolate and marginalised - and starkly beautiful - region of the country's hinterland. The story of this pioneering institution is told through the experiences of a team from the gallery as it journeys thousands of kilometres across the Northern Cape in search of what might constitute the significance of art in human development, and in the lives of frequently impoverished contemporary communities. This quest for possible answers sheds important light on the role and rationale of an art gallery, and of the arts in general, in a changed and changing South Africa.

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The William Humphreys Art Gallery (WHAG) in Kimberley is South Africa's smallest nationally funded gallery. It is also the country's most dynamic and innovative in terms of its response to the changing socio-political terrain in which it has operated during its 60-year life. From its origins as a typical colonial repository of imported culture, WHAG now holds one of the finest collections of the diverse streams of South African art. It also runs unique projects which have transformed the gallery from an isolated cultural enclave into the nerve centre for thriving outreach in the most desolate and marginalised - and starkly beautiful - region of the country's hinterland. The story of this pioneering institution is told through the experiences of a team from the gallery as it journeys thousands of kilometres across the Northern Cape in search of what might constitute the significance of art in human development, and in the lives of frequently impoverished contemporary communities. This quest for possible answers sheds important light on the role and rationale of an art gallery, and of the arts in general, in a changed and changing South Africa.

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