- We will send in 10–14 business days.
/images/books/12236963/9781788314527.jpg)
- Publisher: I. B. Tauris & Company
- Year: 2020
- Pages: 232
- ISBN-10: 1788314522
- ISBN-13: 9781788314527
- Format: 16 x 23.6 x 1.8 cm, hardcover
- Language: English
- SAVE -10% with code: EXTRA
Ottoman Culture and the Project of Modernity (e-book) (used book) | bookbook.eu
Reviews
Description
Central to the nineteenth-century Ottoman Tanzimat reform project, the novel originally developed outside of Ottoman space, yet was adopted as a didactic tool to model and generate new forms of Ottoman citizenship. Essays in this book explore the appropriation of the novel as a literary genre and its deployment in the late Ottoman cultural project of constructing an Ottoman modernity.
Analyzing key texts and authors, from the works of Ahmet Midhat Efendi to Mizanci Murad and Vartan Pasha, among others, the book's chapters explore the novel genre as far more than a case of importation of Western and non-Ottoman cultural productions, but rather as a vehicle for the cultivation of indigenous modern subjectivities.EXTRA 10 % discount with code: EXTRA
The promotion ends in 18d.14:26:25
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Publisher: I. B. Tauris & Company
- Year: 2020
- Pages: 232
- ISBN-10: 1788314522
- ISBN-13: 9781788314527
- Format: 16 x 23.6 x 1.8 cm, hardcover
- Language: English English
Central to the nineteenth-century Ottoman Tanzimat reform project, the novel originally developed outside of Ottoman space, yet was adopted as a didactic tool to model and generate new forms of Ottoman citizenship. Essays in this book explore the appropriation of the novel as a literary genre and its deployment in the late Ottoman cultural project of constructing an Ottoman modernity.
Analyzing key texts and authors, from the works of Ahmet Midhat Efendi to Mizanci Murad and Vartan Pasha, among others, the book's chapters explore the novel genre as far more than a case of importation of Western and non-Ottoman cultural productions, but rather as a vehicle for the cultivation of indigenous modern subjectivities.
Reviews