169,10 €
187,89 €
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Operatic Pasticcios in Eighteenth-Century Europe
Operatic Pasticcios in Eighteenth-Century Europe
169,10
187,89 €
  • We will send in 10–14 business days.
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as pasticcios since the 18th century, these operas have long been considered inferior…
187.89
  • Publisher:
  • Year: 2020
  • Pages: 650
  • ISBN-10: 3837648850
  • ISBN-13: 9783837648850
  • Format: 17 x 24.4 x 4 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

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In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as pasticcios since the 18th century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.

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  • Publisher:
  • Year: 2020
  • Pages: 650
  • ISBN-10: 3837648850
  • ISBN-13: 9783837648850
  • Format: 17 x 24.4 x 4 cm, minkšti viršeliai
  • Language: English English

In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as pasticcios since the 18th century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.

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