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- Author: Joseph Jacobs
- Publisher: CreateSpace Independent Publishing Platform
- Year: 2015
- Pages: 324
- ISBN-10: 1508921083
- ISBN-13: 9781508921080
- Format: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
- Language: English
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Description
The history of this new form is of necessity brief. Before its vogue became general, one-act plays were being presented in vaudeville houses in this country and were being used as curtain raisers in London theatres for the purpose of marking time until the late-dining audiences should arrive. With the exception of the famous Grand Guignol Theatre in Paris, where the entertainment for an evening might consist of several one-act plays, all of the hair-raising, blood-curdling variety, programs composed entirely of one-act plays were rare. Sir James Matthew Barrie is usually credited with being the first in England to write one-act plays intended to be grouped in a single production. A program of this character has been uncommon in the commercial theatre in America, but three of Barrie's one-act plays, constituting a single program, have met with enthusiastic response from American audiences.
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- Author: Joseph Jacobs
- Publisher: CreateSpace Independent Publishing Platform
- Year: 2015
- Pages: 324
- ISBN-10: 1508921083
- ISBN-13: 9781508921080
- Format: 15.2 x 22.9 x 1.7 cm, minkšti viršeliai
- Language: English English
The history of this new form is of necessity brief. Before its vogue became general, one-act plays were being presented in vaudeville houses in this country and were being used as curtain raisers in London theatres for the purpose of marking time until the late-dining audiences should arrive. With the exception of the famous Grand Guignol Theatre in Paris, where the entertainment for an evening might consist of several one-act plays, all of the hair-raising, blood-curdling variety, programs composed entirely of one-act plays were rare. Sir James Matthew Barrie is usually credited with being the first in England to write one-act plays intended to be grouped in a single production. A program of this character has been uncommon in the commercial theatre in America, but three of Barrie's one-act plays, constituting a single program, have met with enthusiastic response from American audiences.
Reviews