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NORTHANGERLAND Re-versioning the poetry of Branwell Brontë
NORTHANGERLAND Re-versioning the poetry of Branwell Brontë
30,95
34,39 €
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In Northangerland Andrew Taylor has taken the black sheep of the Brontë family and pushed him centre-stage, repurposing Bronwyn's pseudonym as a title. 'Re-versioning', as Taylor dubs his process, is not so much offering a parallel text or a commentary on the original, but effects a distillation of it, isolating its essence, updating. He resembles Basil Bunting deleting and scribbling his way through Shakespeare's sonnets, as he exchanges Brontë's rhetoric for sculpted lines and deft sound-sh…
34.39
  • Publisher:
  • ISBN-10: 1739721322
  • ISBN-13: 9781739721329
  • Format: 14 x 21.6 x 0.5 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

NORTHANGERLAND Re-versioning the poetry of Branwell Brontë (e-book) (used book) | bookbook.eu

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In Northangerland Andrew Taylor has taken the black sheep of the Brontë family and pushed him centre-stage, repurposing Bronwyn's pseudonym as a title. 'Re-versioning', as Taylor dubs his process, is not so much offering a parallel text or a commentary on the original, but effects a distillation of it, isolating its essence, updating. He resembles Basil Bunting deleting and scribbling his way through Shakespeare's sonnets, as he exchanges Brontë's rhetoric for sculpted lines and deft sound-shapes (the rhymes chiming internally across their precise new line-breaks). Taylor is like an architect decluttering the Brontë Parsonage into a modern minimalist and open plan living space: 'forms refuse the real/ & unreal to confuse phantom/ paths of joy'. For all its careful acknowledgement of sources, this is an assured work for our times.

Robert Sheppard

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  • Author: Andrew Taylor
  • Publisher:
  • ISBN-10: 1739721322
  • ISBN-13: 9781739721329
  • Format: 14 x 21.6 x 0.5 cm, minkšti viršeliai
  • Language: English English

In Northangerland Andrew Taylor has taken the black sheep of the Brontë family and pushed him centre-stage, repurposing Bronwyn's pseudonym as a title. 'Re-versioning', as Taylor dubs his process, is not so much offering a parallel text or a commentary on the original, but effects a distillation of it, isolating its essence, updating. He resembles Basil Bunting deleting and scribbling his way through Shakespeare's sonnets, as he exchanges Brontë's rhetoric for sculpted lines and deft sound-shapes (the rhymes chiming internally across their precise new line-breaks). Taylor is like an architect decluttering the Brontë Parsonage into a modern minimalist and open plan living space: 'forms refuse the real/ & unreal to confuse phantom/ paths of joy'. For all its careful acknowledgement of sources, this is an assured work for our times.

Robert Sheppard

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