25,82 €
28,69 €
-10% with code: EXTRA
No Acting Please
No Acting Please
25,82
28,69 €
  • We will send in 10–14 business days.
A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the being state, where the actor does no more and no less than what he or she feels. As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is als…
28.69
  • Publisher:
  • ISBN-10: 096297093X
  • ISBN-13: 9780962970931
  • Format: 15 x 23 x 1.3 cm, minkšti viršeliai
  • Language: English
  • SAVE -10% with code: EXTRA

No Acting Please (e-book) (used book) | Eric Morris | bookbook.eu

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A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the being state, where the actor does no more and no less than what he or she feels.

As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool.

Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson.

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  • Author: Eric Morris
  • Publisher:
  • ISBN-10: 096297093X
  • ISBN-13: 9780962970931
  • Format: 15 x 23 x 1.3 cm, minkšti viršeliai
  • Language: English English

A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the being state, where the actor does no more and no less than what he or she feels.

As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool.

Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson.

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