281,96 €
313,29 €
-10% with code: EXTRA
New Hong Kong Cinema
New Hong Kong Cinema
281,96
313,29 €
  • We will send in 10–14 business days.
The trajectory of Hong Kong films had been drastically affected long before the city's official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia's cinematic landscape. The author introduces the "Cinema of Transitions" to study the New Hong Kong Cinema and on- and off-screen life against this background. Using exa…
  • Publisher:
  • ISBN-10: 178238703X
  • ISBN-13: 9781782387039
  • Format: 15.2 x 22.9 x 1.8 cm, hardcover
  • Language: English
  • SAVE -10% with code: EXTRA

New Hong Kong Cinema (e-book) (used book) | Ruby Cheung | bookbook.eu

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The trajectory of Hong Kong films had been drastically affected long before the city's official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia's cinematic landscape. The author introduces the "Cinema of Transitions" to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which "transitions" are negotiated.

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  • Author: Ruby Cheung
  • Publisher:
  • ISBN-10: 178238703X
  • ISBN-13: 9781782387039
  • Format: 15.2 x 22.9 x 1.8 cm, hardcover
  • Language: English English

The trajectory of Hong Kong films had been drastically affected long before the city's official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia's cinematic landscape. The author introduces the "Cinema of Transitions" to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which "transitions" are negotiated.

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