96,38 €
107,09 €
-10% with code: EXTRA
Neighboring Text
Neighboring Text
96,38
107,09 €
  • We will send in 10–14 business days.
Most medieval texts were not really texts in the modern sense of printed, bound, stand-alone volumes, but were instead scribal productions that circulated in manuscript form, often alongside unrelated writings, thereby producing what seem to be haphazard compilations. In The Neighboring Text: Chaucer, Boccaccio, Henryson, George Edmondson argues that we have tended to apply a vertical, linear model of literary history to this late medieval manuscript culture. By contrast, he brings recent work…
  • SAVE -10% with code: EXTRA

Neighboring Text (e-book) (used book) | George Edmondson | bookbook.eu

Reviews

Description

Most medieval texts were not really texts in the modern sense of printed, bound, stand-alone volumes, but were instead scribal productions that circulated in manuscript form, often alongside unrelated writings, thereby producing what seem to be haphazard compilations. In The Neighboring Text: Chaucer, Boccaccio, Henryson, George Edmondson argues that we have tended to apply a vertical, linear model of literary history to this late medieval manuscript culture. By contrast, he brings recent work in the fields of psychoanalysis and political philosophy to bear on the question of literary history in order to develop a countermodel informed by a horizontal ethos of "neighborliness."

Edmondson analyzes the different ways that three canonical texts--Chaucer's Troilus and Criseyde; its source, Boccaccio's Il Filostrato; and its fifteenth-century Scottish derivative, Robert Henryson's Testament of Cresseid--treat two figures, Troilus and Criseyde, and how those differences affect our understanding of literary history. He argues that what makes them neighboring texts is their shared concern with the subject of medieval Trojan historiography in general, and their very different treatments of Troilus in particular. At the same time, Edmondson supplements the medieval ideal of neighborliness with the psychoanalytic understanding of the neighbor as a figure both proximate and strange: at once the building block of community and its stumbling block. The result is a repositioning of the three works as a textual neighborhood--one in which the legendary history of Troy is transformed from the basis of imaginary national genealogies to a figure for the aggression and enjoyment, the conflicting gestures of identification and estrangement, that shape the neighbor relation.

EXTRA 10 % discount with code: EXTRA

96,38
107,09 €
We will send in 10–14 business days.

The promotion ends in 15d.03:31:48

The discount code is valid when purchasing from 10 €. Discounts do not stack.

Log in and for this item
you will receive 1,07 Book Euros!?

Most medieval texts were not really texts in the modern sense of printed, bound, stand-alone volumes, but were instead scribal productions that circulated in manuscript form, often alongside unrelated writings, thereby producing what seem to be haphazard compilations. In The Neighboring Text: Chaucer, Boccaccio, Henryson, George Edmondson argues that we have tended to apply a vertical, linear model of literary history to this late medieval manuscript culture. By contrast, he brings recent work in the fields of psychoanalysis and political philosophy to bear on the question of literary history in order to develop a countermodel informed by a horizontal ethos of "neighborliness."

Edmondson analyzes the different ways that three canonical texts--Chaucer's Troilus and Criseyde; its source, Boccaccio's Il Filostrato; and its fifteenth-century Scottish derivative, Robert Henryson's Testament of Cresseid--treat two figures, Troilus and Criseyde, and how those differences affect our understanding of literary history. He argues that what makes them neighboring texts is their shared concern with the subject of medieval Trojan historiography in general, and their very different treatments of Troilus in particular. At the same time, Edmondson supplements the medieval ideal of neighborliness with the psychoanalytic understanding of the neighbor as a figure both proximate and strange: at once the building block of community and its stumbling block. The result is a repositioning of the three works as a textual neighborhood--one in which the legendary history of Troy is transformed from the basis of imaginary national genealogies to a figure for the aggression and enjoyment, the conflicting gestures of identification and estrangement, that shape the neighbor relation.

Reviews

  • No reviews
0 customers have rated this item.
5
0%
4
0%
3
0%
2
0%
1
0%
(will not be displayed)