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Musical Form
Musical Form
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CONTENTS Introduction Rhythm--Sentences and Phrases The Subdivisions of a Musical Sentence-- Sections and Motives Modulation-- Key-Relationship The Means of Modulation-- Modulation by Means of Triads The Construction of Simple Sentences with Regular Rhythm Irregular and Complex Rhythms The Simple Binary Form The Simple Ternary Form Ebenezer Prout (1835-1909) was Professor of Harmony and Composition at the Royal Academy of Music, and Professor of Music in the University of Dublin. He is also the…
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Musical Form (e-book) (used book) | Ebenezer Prout | bookbook.eu

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CONTENTS Introduction Rhythm--Sentences and Phrases The Subdivisions of a Musical Sentence-- Sections and Motives Modulation-- Key-Relationship The Means of Modulation-- Modulation by Means of Triads The Construction of Simple Sentences with Regular Rhythm Irregular and Complex Rhythms The Simple Binary Form The Simple Ternary Form Ebenezer Prout (1835-1909) was Professor of Harmony and Composition at the Royal Academy of Music, and Professor of Music in the University of Dublin. He is also the author of Applied Form, Harmony: Its Theory and Practice and Counterpoint: Strict and Free. He edited the Monthly Musical Review (1871-1875), and was a music critic for The Academy (1874-79) and The Athenaeum (1879-89).

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CONTENTS Introduction Rhythm--Sentences and Phrases The Subdivisions of a Musical Sentence-- Sections and Motives Modulation-- Key-Relationship The Means of Modulation-- Modulation by Means of Triads The Construction of Simple Sentences with Regular Rhythm Irregular and Complex Rhythms The Simple Binary Form The Simple Ternary Form Ebenezer Prout (1835-1909) was Professor of Harmony and Composition at the Royal Academy of Music, and Professor of Music in the University of Dublin. He is also the author of Applied Form, Harmony: Its Theory and Practice and Counterpoint: Strict and Free. He edited the Monthly Musical Review (1871-1875), and was a music critic for The Academy (1874-79) and The Athenaeum (1879-89).

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