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Music Made Easy to Every Capacity, in a Series of Dialogues; Being Practical Lessons for the Harpsichord, ... Written in French by Monsieur Bemetzrieder, ... The Whole Translated, and Adapted ... by Giffard Bernard,
Music Made Easy to Every Capacity, in a Series of Dialogues; Being Practical Lessons for the Harpsichord, ... Written in French by Monsieur Bemetzrieder, ... The Whole Translated, and Adapted ... by Giffard Bernard,
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them…
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Music Made Easy to Every Capacity, in a Series of Dialogues; Being Practical Lessons for the Harpsichord, ... Written in French by Monsieur Bemetzrieder, ... The Whole Translated, and Adapted ... by Giffard Bernard, (e-book) (used book) | bookbook.eu

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T096492

The second and third parts have separate titlepages, 'printed by R. Ayre', dated 1779. With a list of subscribers in part 3.

London: printed by R. Ayre and G. Moore; and sold by W. Randall, 1778-79. vi, iv,1-87, [4],90-198, [2], vi, [1],200-249, [1]p.: ill.; 4°

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library

T096492

The second and third parts have separate titlepages, 'printed by R. Ayre', dated 1779. With a list of subscribers in part 3.

London: printed by R. Ayre and G. Moore; and sold by W. Randall, 1778-79. vi, iv,1-87, [4],90-198, [2], vi, [1],200-249, [1]p.: ill.; 4°

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