128,60 €
142,89 €
-10% with code: EXTRA
Music in Transition
Music in Transition
128,60
142,89 €
  • We will send in 10–14 business days.
The decades from 1900 to 1920 saw important changes in the very language of music. Traditional tonal organization gave way to new forms of musical expression and many of the foundations of modern music were laid. Samson first explores tonal expansion in the music of such nineteenth-century composers as Liszt and Wagner and its reinterpretation in the music of Debussy, Busoni, Bartók, and Stravinsky. He then traces the atonal revolution, revealing the various paths taken by Schoenberg and his f…
  • Publisher:
  • ISBN-10: 0460861506
  • ISBN-13: 9780460861502
  • Format: 15.8 x 23.6 x 2.1 cm, softcover
  • Language: English
  • SAVE -10% with code: EXTRA

Music in Transition (e-book) (used book) | Jim Samson | bookbook.eu

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The decades from 1900 to 1920 saw important changes in the very language of music. Traditional tonal organization gave way to new forms of musical expression and many of the foundations of modern music were laid. Samson first explores tonal expansion in the music of such nineteenth-century composers as Liszt and Wagner and its reinterpretation in the music of Debussy, Busoni, Bartók, and Stravinsky. He then traces the atonal revolution, revealing the various paths taken by Schoenberg and his followers and describing their very different stylistic development.

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  • Author: Jim Samson
  • Publisher:
  • ISBN-10: 0460861506
  • ISBN-13: 9780460861502
  • Format: 15.8 x 23.6 x 2.1 cm, softcover
  • Language: English English

The decades from 1900 to 1920 saw important changes in the very language of music. Traditional tonal organization gave way to new forms of musical expression and many of the foundations of modern music were laid. Samson first explores tonal expansion in the music of such nineteenth-century composers as Liszt and Wagner and its reinterpretation in the music of Debussy, Busoni, Bartók, and Stravinsky. He then traces the atonal revolution, revealing the various paths taken by Schoenberg and his followers and describing their very different stylistic development.

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