132,11 €
146,79 €
-10% with code: EXTRA
Music in the Galant Style
132,11 € 
- We will send in 10–14 business days.
Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it kn…
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- Author: Robert Gjerdingen
- Publisher: Oxford University Press, USA
- ISBN-10: 0190095814
- ISBN-13: 9780190095819
- Format: 21.3 x 27.7 x 2.5 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
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Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it known only to specialists, formative of the "galant style."EXTRA 10 % discount with code: EXTRA
132,11 €
146,79 €
We will send in 10–14 business days.
The promotion ends in 17d.23:31:49
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Robert Gjerdingen
- Publisher: Oxford University Press, USA
- ISBN-10: 0190095814
- ISBN-13: 9780190095819
- Format: 21.3 x 27.7 x 2.5 cm, softcover
- Language: English English
Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it known only to specialists, formative of the "galant style."
Reviews