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- Author: Yehia Abd El Azeem
- Publisher: GRIN Verlag
- Year: 2014
- Pages: 20
- ISBN-10: 3656742286
- ISBN-13: 9783656742289
- Format: 14.8 x 21 x 0.1 cm, softcover
- Language: English
- SAVE -10% with code: EXTRA
Muscial Verbalization in the Narrative Diction of Anthony Burgess (e-book) (used book) | bookbook.eu
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Scientific Essay from the year 2013 in the subject Didactics - English - Literature, Works, grade: 74, University of Salford, course: Anthony Burgess and his Contemporaries, language: English, abstract: This essay demonstrates that instrumentation may be not suggestive. Be it an incidental music, or a formal text, the very nature of authorship may permit a Pyrrhic 'pun', by means of which its analogical 'devices' -in general- may work against their 'own' means of duality.As a preliminary approach to such self-destructive duality in specific, we are being proposed to 'devices' being repressed a midst two denominations namely;the transcendental realm of the octa-tonic scale and the narrative diction of Anthony Burgess. These devices include but not restricted to;'the evasive cadence', 'petro-musicology', 'elevator music', 'the chromatic scale' and 'the diatonic cycle'. It gratifies the schematic approach of Anthony Burgess towards his understanding of music, but exclusively traces the wayward musicality of misunderstanding.
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- Author: Yehia Abd El Azeem
- Publisher: GRIN Verlag
- Year: 2014
- Pages: 20
- ISBN-10: 3656742286
- ISBN-13: 9783656742289
- Format: 14.8 x 21 x 0.1 cm, softcover
- Language: English English
Scientific Essay from the year 2013 in the subject Didactics - English - Literature, Works, grade: 74, University of Salford, course: Anthony Burgess and his Contemporaries, language: English, abstract: This essay demonstrates that instrumentation may be not suggestive. Be it an incidental music, or a formal text, the very nature of authorship may permit a Pyrrhic 'pun', by means of which its analogical 'devices' -in general- may work against their 'own' means of duality.As a preliminary approach to such self-destructive duality in specific, we are being proposed to 'devices' being repressed a midst two denominations namely;the transcendental realm of the octa-tonic scale and the narrative diction of Anthony Burgess. These devices include but not restricted to;'the evasive cadence', 'petro-musicology', 'elevator music', 'the chromatic scale' and 'the diatonic cycle'. It gratifies the schematic approach of Anthony Burgess towards his understanding of music, but exclusively traces the wayward musicality of misunderstanding.
Reviews