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Munimenta Antiqua; or, Observations on Antient Castles. Including Remarks on the Whole Progress of Architecture, Ecclesiastical, as Well as Military, in Great Britain
Munimenta Antiqua; or, Observations on Antient Castles. Including Remarks on the Whole Progress of Architecture, Ecclesiastical, as Well as Military, in Great Britain
68,03
75,59 €
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them…
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Munimenta Antiqua; or, Observations on Antient Castles. Including Remarks on the Whole Progress of Architecture, Ecclesiastical, as Well as Military, in Great Britain (e-book) (used book) | bookbook.eu

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T136033

From the second volume the work was printed for G. and W. Nicol. Vol. 2 is dated: November, 1801; vol. 3: March 1804; vol. 4: 1806. The Introduction and contents to volume 4 were published separately in May 1805.

London: printed by W. Bulmer and Co. for G. Nicol, February, 1799-1806. 4v., plates; 2°

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
British Library

T136033

From the second volume the work was printed for G. and W. Nicol. Vol. 2 is dated: November, 1801; vol. 3: March 1804; vol. 4: 1806. The Introduction and contents to volume 4 were published separately in May 1805.

London: printed by W. Bulmer and Co. for G. Nicol, February, 1799-1806. 4v., plates; 2°

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