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- Author: Fadhil al-Azzawi
- Publisher: BOA Editions
- Year: 2003
- Pages: 130
- ISBN-10: 1929918453
- ISBN-13: 9781929918454
- Format: 15.1 x 23.1 x 0.8 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
This collection features poems from Al-Azzawi's six previous Arabic poetry collections and many new poems. Springing from classical Arabic poetry, his poems speak to political exile, -cultural marginalization, and Middle Eastern and Western histories and mythologies. Al-Azzawi employs -humor, melancholy and tenderness to celebrate new worlds of possibility.
Fadhil Al-Azzawi was born in 1940 in Kirkuk, Iraq. By the time he was -fifteen, he was publishing poems in the leading Arab literary magazines in Beirut and Baghdad. Al-Azzawi -currently lives in London.
Khaled Mattawa (Translator) is the author of a -collection of poetry, Ismailia Eclipse, and the translator of two books of contemporary Arabic poetry, Hatif Janabi's Questions and Their Retinue and Saddi Youssef's Without an Alphabet, Without a Face.
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- Author: Fadhil al-Azzawi
- Publisher: BOA Editions
- Year: 2003
- Pages: 130
- ISBN-10: 1929918453
- ISBN-13: 9781929918454
- Format: 15.1 x 23.1 x 0.8 cm, minkšti viršeliai
- Language: English English
This collection features poems from Al-Azzawi's six previous Arabic poetry collections and many new poems. Springing from classical Arabic poetry, his poems speak to political exile, -cultural marginalization, and Middle Eastern and Western histories and mythologies. Al-Azzawi employs -humor, melancholy and tenderness to celebrate new worlds of possibility.
Fadhil Al-Azzawi was born in 1940 in Kirkuk, Iraq. By the time he was -fifteen, he was publishing poems in the leading Arab literary magazines in Beirut and Baghdad. Al-Azzawi -currently lives in London.
Khaled Mattawa (Translator) is the author of a -collection of poetry, Ismailia Eclipse, and the translator of two books of contemporary Arabic poetry, Hatif Janabi's Questions and Their Retinue and Saddi Youssef's Without an Alphabet, Without a Face.
Reviews